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This paper explores unfamiliar aspects of censorship in post-war Yugoslav theatre. The country had no institutionalized censorship, and what was tolerated at one moment became prohibited the next. Furthermore, the federal structure and increasing rivalry between the party elites in the six republics ...

The starting point for this article is the significant absence of Eastern European art and artists from major international art venues and narratives, highlighting their persistent marginalisation. It also reveals a systemic neglect of this region in the post–Cold War context, arguing for the reposi ...